Category: Parential Alienation-Child Abuse

Strength of a Woman – Shaggy

My dear friend Susan Huff shared this song with me , instructing me to turn it up and 🕺!

Susan Huff showed up on my mountain top home and proceeded ( with many challenges ) with her life partner John Bell to open a community store full of local offerings .

Susan graduate of Integrative Nutrition is a superb and creative organic maestro in the culinary. She has worked with me and provides A plus meals and specializes in Soup ; thus The Soup Shop was born and it answered a long standing dream of mine !!!

And it’s as locally stocked as one can provide !

I am indeed Blessed ; especially after the experience of an opponent who targeted me , in business and reduced my income to the degree of requiring charity !

WOW !

Shades of the former ” partner” without marriage , just a very crooked shadow that failed in an attempt to divest me of everything , or counting on me to commit suicide ?!

It’s been a very harsh and hard lesson that brought about much enlightenment and now conclusions that insure I am not ever going to be vulnerable in any way shape or form

Like the former , in affirming you don’t care if I eat or am safe but create drama and trauma to steal anything and every thing , in denial of your responsibilities…. END GAME

So yea I know my invaluable strengths , the karmic return for each person who masked the evil and devil energy of lies and secrets .

Thank you and I surrender this to Divine

Almost brunch time , yes I cook in my room and it’s so much easier with my angels Susan Huff whose food is my medicine

Hailing from Florida and a very tiny lady , Susan feels our chill on our mountain which is damp based and righteous!

The Soup Shop Is on Face Book

Strength of A Woman – Shaggy

youtube.com/watch

Musical Concepts

Appendices: Part D – Musical Concepts (excerpt 1)

“Music is the medium through which we express our feelings of joy and sorrow, love and patriotism, penitence and praise. It is the charm of the soul, the instrument that lifts minds to higher regions, the gateway into the realms of imagination. It makes the eye to sparkle, the pulse to beat more quickly. It causes emotions to pass over our being like waves over the far reaching sea.” – Carl E. Seashore.¹

Music is the result of the interaction of the effects of angulation as it represents the ratio of one frequency to another frequency. When a non-periodic sinewave is confined to a sphere, the result is a periodical natural resonant frequency pattern, or “standing wave, which consist[s] of waves propagating back and forth between the boundaries, [which] lead[s] to resonances in vibrating systems.”² This movement then represents music.

According to Tomatis, “The critical range for musicality is 500 hz to 4,000 hz (hertz),”³ and music is composed of melody and rhythm. “Music has all the characteristics (pitch, timbre, intensity, rhythm) of spoken language, except semantic value,”⁴ Tomatis points out. And children’s songs and nursery rhymes harmonize body movements and motor functions by their effect on the cochlear vestibular system of the ear. They also increase the child’s a͟w͟a͟r͟e͟n͟e͟s͟s͟ of his body and help shape his body information, according to Tomatis.⁵

“The psychological attributes of sound, namely pitch, loudness [intensity], time [rhythm], and timbre, depends upon the physical characteristics of the sound wave: frequency [the number of waves per second], amplitude [the intensity/height of the wave], duration [wavelength], and form,”⁶ states Carl E. Seashore. He goes on to mention that the form of the sound wave “determines its harmonic constitution, which gives us the experience of timbre.”⁷

After forty years of research and a career in the science of music, Seashore summed up his findings by saying: “On the basis of our experiments in measuring these sensory capacities, the sense of pitch, the sense of time, the sense of loudness [intensity/amplitude], and the sense of timbre are elemental, by which we mean that they are largely inborn and function from early childhood.”⁸

Over the next few pages, he gives the definitions for these basic capacities: “The terms ‘frequency,’ double vibrations (d.v.),’ ‘the number of vibrations per second,’ ‘cycles,’ and ‘waves’ are synonymous and may be used interchangeably to designate frequency and pitch.”⁹

Then he states further that “for psychological purposes, the intensity of tone is expressed in terms of decibels (db). Like pitch and loudness, the decibel is a psychological unit representing the degree of loudness. Its physical counterpart, intensity, is expressed in terms of units of electrical energy.”¹⁰ He defines the “wave form: timbre [tone]…in terms of the form of the sound wave,”¹¹ and says that “timbre is determined primarily by the number, the order, and the relative intensity of the fundamental [“the mode of vibration or component of sound with the lowest frequency”¹²] and its overtones as expressed in the waveform.”¹³

Timbre is further described by Seashore as the “distinguishing or characteristic quality of a sound.”¹⁴ He adds that “the investigations of Helmholtz proved that the timbre of a sound is determined by the proportions in which the various natural harmonics are heard in it.”¹⁵ Harmonics refers to the vibrational modes of a system that are the whole number ratios of intervals.

Seashore goes on to describe duration (time, rhythm): “pitch and intensity are always recorded against time, expressing the duration of notes, pauses, or any specific feature of these.”¹⁶ Then he adds, “Rhythm adjusts the strain of attention. In poetry and music for instance, the rhythm enables us to anticipate the magnitude of units which are to be grasped.”¹⁷

He continues, “Genetically, the ordinary measure in poetry and music is determined by what is known as the attention wave. Our attention is periodic. All our mental life works rhythmically, that is, by periodic pulsation of effort or achievement with unnoticed intermittence of blanks.”¹⁸ As demonstrated by Bekesy, our lapse of consciousness, or periodic attention, corresponds to the interval of 0.8 – 1.2s, which is the ratio 1.5, or the musical note G, the ratio of numbers 2:3 and also the angles from 84° to 90°.

End Notes:

1 Psychology of Music, Seashore, p. 64
2 Quantum Reality, Herbert, p. 116
3 Method, Tomatis, p. 78
4 Ibid., p. 71
5 Ibid., p. 72
6 Psychology of Music, Seashore, p. 2
7 Ibid.
8 Ibid., p. 3
9 Ibid., p. 17
10 Ibid., p. 19
11 Ibid., p. 20
12 Ibid., p. 95
13 Ibid., p. 96
14 Ibid., p. 63
15 Ibid.
16 Ibid.
17 Ibid., p. 64
18 Ibid., p. 19

She

‘She sat at the back and they said she was shy,

She led from the front and they hated her pride,

They asked her advice and then questioned her guidance,

They branded her loud, then were shocked by her silence,

When she shared no ambition they said it was sad,

So she told them her dreams and they said she was mad,

They told her they’d listen, then covered their ears,

And gave her a hug while they laughed at her fears,

And she listened to all of it thinking she should,

Be the girl they told her to be best as she could,

But one day she asked what was best for herself,

Instead of trying to please everyone else,

So she walked to the forest and stood with the trees,

She heard the wind whisper and dance with the leaves,

She spoke to the willow, the elm and the pine,

And she told them what she’d been told time after time,

She told them she felt she was never enough,

She was either too little or far far too much,

Too loud or too quiet, too fierce or too weak,

Too wise or too foolish, too bold or too meek,

Then she found a small clearing surrounded by firs,

And she stopped…and she heard what the trees said to her,

And she sat there for hours not wanting to leave,

For the forest said nothing, it just let her breathe.’

(Author: @Becky Helmsley) and photo: @Rob Howarth Photography

Bipolar & Obesity

More projection and blame-shame from psychiatry. It’s the RX and it’s been proven by data .

Xyprexa blows up the pancreas often in to diabetes! Enormous weight gain and then being told to diet .

I read this in regard to those folks who were receiving assistance who could ill afford a decent diet which made loosing weight beyond challenge .

www.psychiatrictimes.com/view/a-heavy-burden-bipolar-disorder-and-obesity

Angelic Message -11-08-22

The Angels say that the only thing that is behind you that you should look at is your shadow. Your shadow is a wonderful part of you. Never be fearful of your shadow self. Never try to disassociate from your shadow self. It is a part of you and that is okay. You are human and you have your ups and downs, your ins and outs, and it is all good. And the past isn’t important now. The only thing you want to feel behind you are your Angels who are always have your back. Your Angels are always behind you to guide you to new ideas, new insights, and new possibilities. Don’t deny the past, just acknowledge it and move on. Love your shadow as a part of you and in a way it is a mirror for you. Today is a new day and there is no room for unwanted beliefs and experiences from yesterday. If you have ever watched a child who sees sees its shadow and the curiosity that takes over with them. Have fun with your shadow and let go of any shadows that are not part of you. Unattach them and only see the one that follows you and mirrors you.